These could easily be used to build simple kits in a software sampler for adding additional parts yourself.Įach of the construction kits includes a pre‑mixed file for auditioning purposes, which is very useful to get a sense of what can be done. Usefully, there are some individual samples too, covering the same range of sounds in a one‑shot form. The latter are fairly sparse, in keeping with the musical style, but oddly, many of the synth loops run for several bars, even if the playing is limited to one or two, so there's some unnecessary silence. The loops include the expected drum and percussion elements - kicks, hi‑hats, snares, claps and other assorted things being hit - and a range of synth parts. For those not so familiar with the dancehall genre, its roots lie in Jamaica and, while the West Indian vibe is still very present, modern dancehall (also known as bashment) melds this with influences from R&B and hip‑hop.Įach construction kit contains the usual collection of loops, and the bias towards mid‑ and low‑tempos (95 to 119 bpm) isn't surprising. The advertising blurb suggests that the material is inspired by artists such as Sean Paul, Beenie Man and Mr Vegas. ![]() I auditioned the Acidized WAV files in Acid Pro 7 and these totalled over 1.7GB of sample data. Dancehall Vibes Volume 1 provides 30 loop‑based construction kits, plus a small collection of vinyl scratches.
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